This collection of personal work explores landscape, architecture, and quiet moments observed while traveling. Created outside of client assignments, these images focus on atmosphere, light, and the experience of place.
From the ice formations and coastal landscapes of Iceland to the abstract light and sandstone walls of Antelope Canyon, the work shifts between scale, texture, and natural form. A series photographed in New York City during COVID captures the Oculus and surrounding transit spaces in complete stillness, emphasizing structure and absence.
The final images move to Versailles, documenting the architecture and interiors of the historic palace in France, where scale, symmetry, and human presence reflect the passage of time.
New York City – Oculus (COVID Series)
Empty Oculus hallway in NYC connecting to PATH train with long white architectural corridor

Oculus Hallway (Underground Passage)

An underground passageway connecting the Oculus and Westfield Center in New York City, photographed during a moment of complete stillness. The long, whalebone-like corridor stretches toward the distance, usually filled with commuters moving between the PATH train and surrounding transit systems. In its emptiness, the architecture becomes the subject—revealing symmetry, repetition, and scale without interruption.

Oculus passage from opposite direction showing empty transit space in New York City

Oculus Corridor (Opposite Perspective)

The same Oculus passage photographed from the opposite end, transforming the space through a shift in perspective. What is physically the same location appears entirely different in tone and composition, emphasizing how light and viewpoint reshape architectural experience. The absence of people allows the structure to feel both monumental and isolated.

Interior of Oculus NYC with natural light entering through structure at specific time of day

Oculus Interior (9/11 Light Moment)

Inside the main Oculus, where natural light enters through the structure at a specific time of day, aligning with the moment of the September 11 attacks. The image captures a quiet, reflective atmosphere within the space, where architecture and light intersect with memory. The stillness of the environment reinforces the significance of the location.

Glass and steel ceiling inside Fulton Center NYC with geometric architectural design

Fulton Center Ceiling (Glass and Steel Structure)

The interior ceiling of the Fulton Center transit hub in New York City, photographed from below. The glass and steel structure creates a geometric pattern that diffuses light throughout the space. Though captured in color, the image reads almost as black and white, emphasizing form, contrast, and architectural design over color.

Versailles
Palace of Versailles exterior viewed from garden with symmetrical architecture and no people

Palace of Versailles Exterior (Garden Perspective)

The Palace of Versailles photographed from the garden, looking back toward the main façade. The image captures the symmetry and scale of the architecture without distraction, with no visitors present in the frame. The absence of people allows the structure to stand on its own, emphasizing balance, detail, and the formal design of the historic palace in France.

Versailles courtyard with visitors near entrance and circular hedge in center

Versailles Courtyard with Visitors

A wider view of the Palace of Versailles, capturing the full scale of the courtyard and surrounding architecture. Visitors gather near the entrance, adding a subtle human element that contrasts with the grandeur of the space. The circular hedge at the center anchors the composition, while the figures provide a sense of proportion against the expansive structure.

Large interior hall under Versailles with equestrian statue and person reading plaque

Versailles Interior (Underground Hall with Equestrian Statue)

An interior space beneath the Palace of Versailles, possibly a former carriage or service hall, defined by its vast height and open structure. At the far end, an equestrian statue stands elevated, while a single visitor kneels near its base, reading the plaque. The contrast between the scale of the architecture and the quiet human presence emphasizes the weight of history and the enduring presence of the space.

These images are part of an ongoing personal body of work exploring landscape, architecture, and the passage of time.​​​​​​​
Back to Top